Friday, November 29, 2019
Gender In As You Like It Essays - British Films, Celia,
  Gender in "As You Like It"        Many characters undergo a change in William Shakespeare's   play, As You Like It. Duke Senior goes from being a member of a court   to being a member of a forest. Orlando changes from a bitter younger   brother to a love-sick young man. But the most obvious transformation   undergone, is done by Rosalind. Her change from woman to man, not   only alters her mood, candor, and gender, but allows her to be the   master of ceremonies.      Celia and Rosalind are fairly happy in the court of Celia's   father, Duke Frederick. However, much to her surprise, the Duke   banishes Rosalind from his court. Celia, not allowing her beloved   cousin to "go it alone", decides to accompany her to where ever she   may roam. They decide to search out Rosalind's father, Duke Senior,   in the forest of Arden. Before they depart, Rosalind decides that for   both her and Celia's safety, she will dress herself as a man, saying,             "Were it not better,          Because that I am more than common tall,          That I did suit me all points like a man?          A gallant curtal ax upon my thigh,          A boar spear in my hand, and- in my hear          Lie there what hidden woman's fear there will-          We'll have a swashing and a martial outside,          As many other mannish cowards have          That do outface it with their semblances.           (1:3 ll. 112-120)    At first glance, this transformation is a mere change of clothes and   the addition of weapons, but it goes much deeper.      To Rosalind, the taking on of a man's appearance requires   certain things. She believes that while dressed as a man, she cannot   bring shame to the image of a man. A good example of this is in Act   2, Scene 4, where she says, "I could find in my heart to disgrace my   man's/ apparel and to cry like a woman; but I must comfort/ the weaker   vessel, as doublet and hose ought to show/ itself courageous to   petticoat. (ll. 4-7). This is not the only time she mentions a   doublet and hose. It seems almost that the doublet and hose are the   actual source of strength for a man, as in the next example when   Rosalind is begging Celia for an answer, saying, "Good my complexion!   Dost thou think,/ though I am caparisoned like a man, I have a   doublet/ and hose in my disposition?" (3:2, ll.191-193).  Gender In As You Like It Essays - British Films, Celia,     Gender in "As You Like It"        Many characters undergo a change in William Shakespeare's   play, As You Like It. Duke Senior goes from being a member of a court   to being a member of a forest. Orlando changes from a bitter younger   brother to a love-sick young man. But the most obvious transformation   undergone, is done by Rosalind. Her change from woman to man, not   only alters her mood, candor, and gender, but allows her to be the   master of ceremonies.      Celia and Rosalind are fairly happy in the court of Celia's   father, Duke Frederick. However, much to her surprise, the Duke   banishes Rosalind from his court. Celia, not allowing her beloved   cousin to "go it alone", decides to accompany her to where ever she   may roam. They decide to search out Rosalind's father, Duke Senior,   in the forest of Arden. Before they depart, Rosalind decides that for   both her and Celia's safety, she will dress herself as a man, saying,             "Were it not better,          Because that I am more than common tall,          That I did suit me all points like a man?          A gallant curtal ax upon my thigh,          A boar spear in my hand, and- in my hear          Lie there what hidden woman's fear there will-          We'll have a swashing and a martial outside,          As many other mannish cowards have          That do outface it with their semblances.           (1:3 ll. 112-120)    At first glance, this transformation is a mere change of clothes and   the addition of weapons, but it goes much deeper.      To Rosalind, the taking on of a man's appearance requires   certain things. She believes that while dressed as a man, she cannot   bring shame to the image of a man. A good example of this is in Act   2, Scene 4, where she says, "I could find in my heart to disgrace my   man's/ apparel and to cry like a woman; but I must comfort/ the weaker   vessel, as doublet and hose ought to show/ itself courageous to   petticoat. (ll. 4-7). This is not the only time she mentions a   doublet and hose. It seems almost that the doublet and hose are the   actual source of strength for a man, as in the next example when   Rosalind is begging Celia for an answer, saying, "Good my complexion!   Dost thou think,/ though I am caparisoned like a man, I have a   doublet/ and hose in my disposition?" (3:2, ll.191-193).  Gender In As You Like It Essays - British Films, Celia,     Gender in "As You Like It"        Many characters undergo a change in William Shakespeare's   play, As You Like It. Duke Senior goes from being a member of a court   to being a member of a forest. Orlando changes from a bitter younger   brother to a love-sick young man. But the most obvious transformation   undergone, is done by Rosalind. Her change from woman to man, not   only alters her mood, candor, and gender, but allows her to be the   master of ceremonies.      Celia and Rosalind are fairly happy in the court of Celia's   father, Duke Frederick. However, much to her surprise, the Duke   banishes Rosalind from his court. Celia, not allowing her beloved   cousin to "go it alone", decides to accompany her to where ever she   may roam. They decide to search out Rosalind's father, Duke Senior,   in the forest of Arden. Before they depart, Rosalind decides that for   both her and Celia's safety, she will dress herself as a man, saying,             "Were it not better,          Because that I am more than common tall,          That I did suit me all points like a man?          A gallant curtal ax upon my thigh,          A boar spear in my hand, and- in my hear          Lie there what hidden woman's fear there will-          We'll have a swashing and a martial outside,          As many other mannish cowards have          That do outface it with their semblances.           (1:3 ll. 112-120)    At first glance, this transformation is a mere change of clothes and   the addition of weapons, but it goes much deeper.      To Rosalind, the taking on of a man's appearance requires   certain things. She believes that while dressed as a man, she cannot   bring shame to the image of a man. A good example of this is in Act   2, Scene 4, where she says, "I could find in my heart to disgrace my   man's/ apparel and to cry like a woman; but I must comfort/ the weaker   vessel, as doublet and hose ought to show/ itself courageous to   petticoat. (ll. 4-7). This is not the only time she mentions a   doublet and hose. It seems almost that the doublet and hose are the   actual source of strength for a man, as in the next example when   Rosalind is begging Celia for an answer, saying, "Good my complexion!   Dost thou think,/ though I am caparisoned like a man, I have a   doublet/ and hose in my disposition?" (3:2, ll.191-193).    
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